Results for “fiction”

Use when a user asks to write or revise fiction in the Hemingway manner, or asks for strong de-AI on a story; applies Sepia's built-in Hemingway voice profile.

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Guide AI to write Chinese novels and fiction with structured character creation, plot architecture (起承转合), dialog writing, scene description, and genre-specific techniques for 玄幻, 都市, 悬疑, and 言情 genres.

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Genre anatomy from John Truby's The Anatomy of Genres (类型解剖 / 类型节拍 / 混合类型 / 超越类型) — genres as beat systems with a life philosophy underneath; three rules (hit every beat of your genre, mix three or four genres, transcend the primary genre), the ladder and families of twelve genres (Horror 恐怖, Action 动作, Myth 神话, Memoir and Coming-of-Age 回忆录与成长, Science Fiction 科幻, Crime 犯罪, Comedy 喜剧, Western 西部, Gangster 黑帮, Fantasy 奇幻, Detective and Thriller 侦探与惊悚, Love 爱情), each with its hero/opponent/world/plot-shape template, beat list, hard rules with failure conditions, subgenres and transcendent paths, plus a genre-mixing worksheet and a diagnostic. Kept beside sw-truby-anatomy and the Field/Snyder page maps. Use when choosing or confirming a script's genre, when a genre story feels generic or misses the beats its audience expects, when mixing genres, when a horror lacks pressure, an action lacks plot, a love story lacks opposition or a detective story lacks reveals.

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Explain classroom chemistry observations and fictional potion concepts without unverified safety claims. Use for this Bot Generator Bot template; creates drafts or simulations within its declared scope.

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Create clearly labeled fictional personas and consistent dialogue from explicit character attributes. Use for this Bot Generator Bot template; creates drafts or simulations within its declared scope.

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Качество русского текста для агента. Russian text quality for agents: proofreading and AI-slop cleanup for Cyrillic text. Триггеры: очеловечь, вычитай, отредактируй, поправь, причеши, проверь текст, убери канцелярит, humanizer. Молча снимает жёсткие запреты в собственном русском выводе агента; чужой текст молча не трогает. Use when надо убрать из русского текста канцелярит, воду и нейросетевую манеру, не сломав смысл, факты и голос автора. Три режима по запросу: редактура, аудит без переписывания, точечная правка одной категории. Со скиллом едет детерминированный сканер scripts/scan.py: считает хард-баны, категории маркеров, ритм и морфологию, печатает ЧИСТОТА: N/100, поэтому правка измерима («было N, стало M»). Флаг --genre academic/legal/fiction/news снимает маркеры, законные для научного, юридического и новостного регистра. Работает ТОЛЬКО с русским: для английского humanizer, для итальянского humanizer-it. НЕ используй для: перевод, написание с нуля, грамматика без стилистики, код.

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Activates automatically before chapter writing to enforce the 9-item mandatory file reading checklist - prevents AI focus degradation in long-form fiction by ensuring all context is loaded before each writing session

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Guided, hands-on course teaching architects how to use Codex or Claude Code — six short modules, each built around an exercise on a bundled sandbox project (a fictional Brooklyn art museum expansion). Resumable across sessions via PROGRESS.md. Use when the user runs $learn or /as:learn, says they're new to AI-assisted project work, or asks how to learn it.

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This skill should be used when the user asks to "make an audiobook", "narration script", "narrator", "ACX", "Findaway", "pronunciation guide", "how long is the audiobook", "adapt to a screenplay", "Fountain", "screenplay", "picture book", "spreads", "illustration notes", "art notes", "comic script", "comics script", "graphic novel", "panels", "interactive edition", "turn the book into Ink or Twine", "translate the book", "translation", "foreign edition", "glossary for translators", or wants to turn a story project into another form or language, or to plan a picture book. NOT for writing a new branching or choose-your-own-adventure story (use interactive-fiction), or writing rhyming picture-book text (use verse-craft).

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This skill should be used when the user asks to "start a new story", "initialize a story project", "create a story", "new book", "set up a story", or wants to begin a new fiction writing project from scratch. NOT for a sequel or prequel (use series-continuity), or for finding the idea before a project exists (use premise-workshop).

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Create original short videos using the 叙事拆幕｜情绪场景连续退到片场与监看层 Creative DNA for MiniMax H3 or Seedance 2.0. Use when the user wants this causal, camera, motion, rhythm, or payoff structure with new subjects and surfaces.

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Plan, produce, or diagnose evidence-backed product demo videos and screen-recorded promotional walkthroughs. Use when the user asks to make a product demo, launch video, feature showcase, app walkthrough, demo reel, or polished recording; wants every important capability shown without a slow feature tour; asks to remove dead time or fix narration-to-action pacing; or needs a repeatable script, capture plan, and verified final media. Do not use for fictional commercials with no real product proof, general-purpose video editing, or documentation-only tutorials that do not need a promotional narrative.

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影视编剧 (Scriptwriting / Screenwriting) — 为电影 / 电视 / 流媒体剧集写戏剧蓝本的从业者认知操作系统: 决定「讲什么故事、人物是谁为何转变、场景如何被戏剧化、主题为何重要」的学科 —— 区别于导演 (调度 / 视觉实现)、制片 (融资 / 排期)、小说 (无格式 / 场景 / 视觉动作约束)。覆盖 (a) 故事与结构理论 (亚里士多德《诗学》情节 / 人物 / 思想 + 突转 peripeteia / 发现 anagnorisis + 净化 catharsis; Syd Field 范式 / 三幕 / 情节点; Freytag 金字塔; Egri 前提; McKee《故事》掌控性理念 / 鸿沟 / 价值正负转变 / 激励事件 / 渐进式复杂化; Truby《故事剖析》22 步 + 道德论证; Vogler/Campbell 英雄之旅; Blake Snyder《救猫咪》15 拍节拍表; Dan Harmon 故事环; John Yorke 五幕《进入森林》; Frank Daniel 八序列法; 起承转合东亚戏剧结构), (b) 人物 (想要 vs 需要 / 外在目标 vs 内在缺失, 人物弧光 正 / 负 / 平, flaw-wound-ghost 创伤背景, 主动 vs 被动主角的能动性, Egri 三维人物 生理 / 社会 / 心理, 反派是主角的镜子, 群像与关系网, 人物在压力下的选择中显形), (c) 对白 (潜台词 subtext, 对白即动作与冲突而非信息, 避免太直白 on the nose, 人物独特声口, 信息植入 exposition, Mamet/Sorkin 意图-阻碍式对白, 展示而非告知, 中文剧台词工艺), (d) 场景与序列工艺 (场景是有目标 / 冲突 / 转折的微型故事, 场景价值充能与转折点, 晚进早出, 八序列法, set piece, 转场, 场景头 / 动作行 / 括号提示 格式工艺), (e) 主题与前提 (掌控性理念 / 前提, 主题是被戏剧化的论证而非说教, 道德论证 Truby, 主题统一性, 这到底在讲什么), (f) 类型 (类型惯例是对观众的承诺, Snyder 10 类故事, 颠覆 vs 尊重套路, 类型片 vs 文艺片, 中国类型 主旋律 / 古装 / 年代 / 悬疑 / 甜宠 / 都市 / 军旅 / 历史正剧), (g) 格式与工业流程 (好莱坞剧本格式与 Final Draft, logline 一句话故事, treatment 故事大纲, 节拍表, 分场 / 分集大纲, spec 原创剧本 vs 委托, pitch, coverage, 美剧编剧室与 showrunner 制; 中国 大纲→人物小传→分集大纲→剧本, 长剧集 40 集结构, 网络电影 / 网大, 分账剧, 平台定制剧, 微短剧竖屏短剧), (h) 改稿与开发 (写作就是改写, 改稿 / 润色 / 推倒重写, 处理意见 / 改稿意见, 片方与平台 notes, 杀死你的宝贝, 围读, 开发地狱), (i) 改编 (IP改编 小说 / 漫画 / 游戏改编, 忠于精神而非字句, 压缩, 中国网文 IP 热), (j) 中国影视编剧产业现实 (审查 / 广电总局约束, 备案 / 立项, 平台定制剧 爱优腾芒, 分账, 编剧维权 署名权 / 欠薪 / 枪手, 注水剧, 流量 + 大IP 资本逻辑 vs 原创工艺, 导演中心制 vs 编剧话语权), (k) 编剧职业与工艺生涯 (spec vs 委托, 编剧 vs 编审 / 策划, 单兵 vs 编剧室, 在开发链条中的位置, WGA 与署名仲裁规范, 入行, 中国编剧地位与权益)。跨 电影 / 美剧流媒体 / 中国电影与长剧集。不含 导演 / 摄影 / 制片 / 融资 / 表演 / 电影理论批评为终点 / 泛小说写作 / 纪录片 / 新闻 —— 本 skill 是「戏剧化编剧」工艺: 故事 / 人物 / 场景 / 对白 / 主题 / 结构 / 格式 与围绕它们的产业流程。 (Scriptwriting / Screenwriting for film & TV (影视编剧) — the cognitive operating system of practitioners who write the dramatic blueprint of films, television, and streaming series: the discipline of deciding WHAT story is told, WHO the characters are and why they change, HOW the scenes are dramatized, and WHY it matters thematically — distinct from directing (staging/visual realization), producing (financing/scheduling), and prose fiction (which has no format/scene/visual-action constraints). Covers (a) story & structure theory (Aristotle's Poetics — plot/character/thought + reversal peripeteia/recognition anagnorisis + catharsis; Syd Field's paradigm/three-act/plot points; Freytag's pyramid; Lajos Egri's premise; Robert McKee's Story — controlling idea/the gap/value charge/inciting incident/progressive complications; John Truby's 22 steps & moral argument; Christopher Vogler/Joseph Campbell hero's journey; Blake Snyder's Save the Cat 15-beat sheet; Dan Harmon's story circle; John Yorke's 5-act Into the Woods; Frank Daniel's 8-sequence method; 起承转合 East-Asian dramatic structure), (b) character (want vs need/external goal vs internal lack, character arc positive/negative/flat, 人物弧光, flaw-wound-ghost backstory, agency active vs passive protagonist, Egri's 3-dimensional character physiology/sociology/psychology, antagonist as the protagonist's mirror, ensemble & relationship webs, character revealed through choice under pressure), (c) dialogue (subtext 潜台词, dialogue as action & conflict not information, 'on the nose' avoidance, distinct character voice, exposition handling, Mamet/Sorkin intention-obstacle dialogue, show-don't-tell, 台词 craft in Chinese drama), (d) scene & sequence craft (scene as a mini-story with goal/conflict/turn, scene value charge & turning point, enter-late-leave-early, the 8-sequence method, set pieces, transitions, slug line/action line/parenthetical format craft), (e) theme & premise (controlling idea/premise/前提, theme as dramatized argument not message, moral argument Truby, thematic unity, 'what is this really about'), (f) genre (genre conventions as audience promise, Snyder's 10 story types, subverting vs honoring tropes, 类型片 vs 文艺片, Chinese genres 主旋律/古装/年代/悬疑/甜宠/都市/军旅/历史正剧), (g) format & industry process (Holly

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Load at the start of any task whose deliverable is prose another person will read — a PR description, commit message, README, doc, postmortem, blog post, issue or review comment, report, release note or essay — before drafting it, whether the result is pushed, posted, published or saved to a file, without being asked. Draft, then run this pass on the draft before handing it over. Also use when someone says "de-claude", "de-slop", "humanize this", "this reads like AI", "make it sound human", or asks for a voice, tone or register edit. Rewrites the constructions that mark prose as model-written (staged reveals, verdict headers, aphoristic closers, "it's not X, it's Y", em-dash drama, forced triads, flat-certainty adverbs) into plain technical prose and checks the rewrite kept every claim. Not for fiction, poetry, code, or quoted text; for a full adversarial review of a deliverable use challenging.

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Write, restructure, classify, and review documentation with the Diataxis framework. Use when the user asks to create, improve, audit, or reorganize documentation of any kind: knowledge bases, help centers, onboarding guides, process docs, manuals, runbooks, product or API docs, tutorials, how-to guides, references, explanations. Also use when the user mentions Diataxis, docs taxonomy, or documentation architecture, or asks why a document feels confusing. Also use for Simplified Technical English (ASD-STE100) or controlled-language rewrites of English technical docs. Not for marketing, legal, sales, press, or fiction writing unless the user wants a Diataxis-style analysis.

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Use when the user wants to train a reusable face-faithful Soul Character identity on Higgsfield. One-time training returns a reference_id passed to Soul models in higgsfield-generate via `--soul-id`. Use this skill whenever: "train soul character", "create my Soul", "train my face", "make my digital twin", "build me an avatar", "create a character of me", "set up identity for video", "I want my face in generated images", "face-faithful character", "reusable character", "brand character training", "build a character from photos", "soul training", "soul-id create". After training, logs the soul_reference_id to `brand/assets.md`. NOT for: one-shot face swaps (use higgsfield-generate with --image), fictional/non-photo avatars (use higgsfield-generate with a prompt). Requires Higgsfield CLI + Basic plan or higher.

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Make a short product film (website hero loop, landing section, launch film, feature walkthrough, store-listing promo, social cut, illustrated story film) in which the product appears as its own real UI, drawn frame by frame from an HTML timeline, rendered with Playwright and cut with ffmpeg. Four routes: licensed footage cut against cinematic product beats, product beats only, a pointer-driven walkthrough with captions or text cards (plain or kinetic), or a cut-paper collage in which an illustrated cast tells a story over real UI captured from the code with fictional data. Use when asked for a product film, hero video, promo or demo video, launch film, explainer, walkthrough video, paper or collage film, or to recut one. Not for plain screen recordings or voice-over walkthroughs; laying a supplied music track under a finished cut is in scope.

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Use this skill when the user wants a Chinese adult-oriented turn-based text GalGame GM with harem formation, freeform narrative roleplay, natural-escalation yellow-fiction text adventure, multi-character relationship drama, story memory, or novel export. Trigger on requests for 后宫养成, 后宫, 养成, 多女主, 多男后宫, 黄色爽文, 自然流YY文字游戏, 成人向文字冒险, 回合制文字冒险, GalGame, 后宫互动, 逐步升温剧情, 暧昧开局, 自定义身份卡, 文档记忆, 小说导出, 女性向剧情, or any Chinese freeform narrative game where the user wants adult consenting characters, gradual escalation, strong character routes, and long-running continuity.

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Use when a task needs the judgment of a professional author — drafting or structurally revising a novel or narrative-nonfiction manuscript, writing a query letter or book proposal, evaluating a publishing contract's royalty and rights terms, or diagnosing why a manuscript is getting rejected.

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Use when male Chinese web novel writing or 男频小说写作 needs contemporary Chinese 热梗, 网络流行语, 轻笑话, 网络热门事件模板, 网络热门人物口头禅, 知名人物事件的安全化改写或模仿, 弹幕, 评论区, 角色对白, 短视频文案, Fanqie male-rank market radar, or work-study notes on writing style, characters, background, outline, and themes for AI-assisted fiction writing.

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Use when female Chinese web novel writing or 女频小说写作 needs Fanqie female-rank market radar, 言情, 古言, 现言, 快穿, 团宠, 权谋, 情绪流, 女性向人设, 人物关系, 评论区, 短视频文案, or platform voice references for AI-assisted fiction writing.

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Retrieve the current system date and time to anchor the agent in present reality. Use for questions involving today, current time, recent events, or information newer than the model's training data to prevent knowledge-cutoff errors and fictionalization of real facts.

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Use when editing Chinese web fiction, narrative prose, or story drafts that sound AI-generated, overly polished, formulaic, explanatory, or too symmetrical; use to detect AI-writing fingerprints and revise only wording while preserving plot, facts, characters, names, and intent.

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Build a consented continuity system for an authorized person, fictional character, product, or world across video shots.

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