67건 · 관련도순
Pulp musical/media time primitives, exact beat divisions, tempo and meter maps, transport-range grid projection, inline and order-preserving groove projection, coordinate randomness, streaming cursors, and quantization arithmetic.
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VST3 format adapter for Pulp — SingleComponentEffect wiring, bus arrangement negotiation, parameter / MIDI event routing, state round-trip, and the pitfalls discovered while wiring the adapter against Steinberg's SDK.
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Build or iterate on Pulp's native Dawn-backed Three.js workflow using the real three.webgpu.js renderer, focused bridge tests, and native demo capture.
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Load, run, and test VST3 / AU / CLAP / LV2 plugins from Pulp code. Use when working on `core/host/` (scanner, plugin_slot, signal_graph), when adding a new format backend, when wiring a plugin into a SignalGraph, or when writing an integration test that needs a real plug-in binary.
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Sign, notarize, package, and distribute Pulp plugins and apps across macOS, Windows, and Android
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Build an MPE-aware Pulp synth — opt into MPE via PluginDescriptor, consume per-note pitch bend / pressure / timbre from MpeBuffer, and route voices through MpeVoiceAllocator without reinventing channel tracking.
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Debug or validate Pulp animations / transitions / scroll behavior using in-process motion fixtures and offline visual analysis. TRIGGER on phrases like "animation is wrong", "transition timing off", "fade too late", "card slides too far", "scroll jumps on restore", "scroll offset wrong on restore", "frame jump in the timeline", "easing looks wonky", "imported Figma motion doesn't match source", "settle time / overshoot / drift / monotonic", "what value does the knob reach at frame N", "record this animation so I can replay it", "this animation is expensive — which one and why", "reduced-motion broken", "scrub a captured fixture". Captures fixtures (.motion.jsonl), and ships assertion helpers (is_monotonic / settling_time_seconds / overshoot / start_delay_seconds / final_value / local_step_outlier_ratio) and the `scroll_geometry` trace for `ScrollView` content-offset / visible-rect / content-size observability. Off by default in prod.
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LV2 format adapter for Pulp — the Turtle manifest the build emits by asking the module to describe itself, port indices as a saved-session wire format with one shared layout, host transport arriving as a time:Position atom on the MIDI port, the optional buf-size feature that is a hint and not a guarantee, state:interface versus control ports, and the real-time rules run() has to keep.
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iOS platform development for Pulp — iPhone/iPad AUv3 app extensions, iOS Simulator builds, UIKit window host, CoreAudio IO audio, touch & Apple Pencil input, XcodeBuildMCP automation. Covers configure, build, deploy to simulator/device, and the gotchas discovered during iOS bringup.
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Research, author, validate, render, and archive data-only Pulp Sample Heritage profiles. Use when creating or revising a sampler character profile, importing or exporting Heritage JSON, proving profile behavior with analytic and listening fixtures, recording evidence and trademark-safe provenance, or preparing a caller-owned profile artifact bundle.
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Query, recommend, and switch the Pulp JS engine backend (QuickJS, JavaScriptCore, V8). Handles "which JS engine", "switch to V8", "engine for Three.js".
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Prepare an outside contribution to Pulp or Forge that a maintainer can land with minimal rework — routing (Core vs Forge), local build and test on a plain Mac, the checks that are worth running without Shipyard/Tart/VMs, and the handoff format. Use when contributing without write access or without the maintainer CI fleet.
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Validate, install, update, list, rescan, remove, and reveal data-only Pulp content packs for installed plugins. Use for presets, themes, samples, sample banks, wavetables, and other end-user data that must be reviewed before install or update.
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Use Pulp's MIT-safe Cmajor support lane via source-owned patches, an external `cmaj` toolchain, and explicit generated-artifact workflows.
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CLAP format adapter for Pulp — how Processor bridges to clap_plugin_t, how parameters / modulation / sidechain / MPE / UMP / sysex flow, and the pitfalls discovered while wiring the adapter.
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Audio Unit v3 (AUAudioUnit) format adapter for Pulp — render-block wiring, parameter tree bridging, MIDI / sysex via AURenderEvent, sidechain pulls, state persistence, iOS extension surface, and the pitfalls discovered while wiring the adapter.
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Audio Unit v2 adapter work for Pulp — picking the right AU component type (aufx/aumf/aumi/aumu) and its matching entry macro, wiring MIDI input and output (including the aumi MIDI-processor adapter), sharing the base-class-free adapter surface, and avoiding the DAW-side component cache that silently masks repackaging.
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The measurement surface for ALL Pulp DSP and audio-pipeline work — read it BEFORE writing or gating DSP, not only when something already sounds wrong. Covers the C++ harness (signal generators, metrics, assertions, RenderScenario, contracts), the offline Audio Doctor (magnitude/frequency response, THD/THD+N, phase/group delay), and their Python sibling the Audio Quality Lab (tools/audio/quality-lab — null residual + alignment, LTAS log-spectral distance, spectral flux/centroid, HNR, Theil-Sen drift slope, Kaiser-sinc resampling, license-guarded corpus, regression-net ratchet). TRIGGER on AUTHORING work — "build/design an oscillator/filter/synth/effect", "add a DSP module", "what should the acceptance gate be", "how do I measure aliasing / anti-aliasing / alias floor", "null against a reference", "is this DSP correct", "choose a tolerance", "golden/regression corpus for audio", "measure drift or jitter", "A/B two renders" — AND on DEBUGGING work — "is there sound / no audio / I hear nothing", "does this filter/compressor/synth/delay produce the right signal", "prove the DSP / prove the contract", "measure the frequency response", "what's the THD / is it distorting", "what's the group delay / phase response / measured latency", "magnitude response curve", "render a test tone and assert", "audio regression", "64-frame works but 128 is silent", "sample-rate change pitch-shifted it", "describe what's in this buffer", "audio doctor", "compare before/after a DSP refactor". Reach for this BEFORE hand-rolling any FFT, null test, alias measurement, pitch tracker, or golden-render script — most of it already exists in one of the two lanes. Test/tool layer over HeadlessHost — deterministic, no audio device, no speakers. Off the realtime thread entirely.
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Android platform development for Pulp — NDK cross-compilation, Oboe audio, Dawn/Skia GPU rendering, JNI bridge, touch interaction, emulator workflows, and end-to-end smoke validation. Covers build, deploy, debug, and the gotchas discovered during bringup.
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Maintain Pulp's installed design-time agent capability manifest and public-surface ledger. Use when adding, removing, renaming, or materially changing public audio, MIDI, signal, timebase, or sequence APIs; registering a new algorithm for generators; changing capability support or deprecation state; or repairing agent-capabilities freshness, schema, fingerprint, tombstone, or installed-SDK tests.
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Configure, implement, and test Pulp's optional desktop Ableton Link tempo-sync adapter while preserving the developer-supplied SDK, licensing, realtime, latency-compensation, and no-install boundaries.
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Capture faithful PNGs of Pulp view trees / imported UIs headlessly. Covers render_to_png backends (Skia vs CoreGraphics), the image-compositing gotcha, capture_png from a live GPU host, and the --screenshot-backend validate flag. Use whenever you render a UI to a PNG to eyeball or montage it.
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Work with Pulp's SDF / MSDF / PSDF glyph atlases — building, sampling via SkSL, and the shared text-layout helpers.
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Pulp timeline transport, immutable compiled playback programs, bounded arrangement audio rendering, block-level publication latches, stable shells, and ProcessContext projection.
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