「mixing」の検索結果

Converts and transcodes audio file formats and encoding parameters using Volcengine LAS. Audio format conversion between wav, mp3, flac, m4a, ogg, aac and other audio formats. Adjusts sample rate (resample, downsample, upsample), bit rate (bitrate), channels (mono, stereo, channel mixing), audio compression, and audio quality settings via ffmpeg parameters. Supports TOS cloud storage paths and local file upload. Use this skill when the user wants to convert audio format (wav/mp3/flac/m4a/ogg/aac), transcode or re-encode audio files, adjust audio sample rate, bitrate, channels, compress audio files, resample or downsample audio, prepare audio for downstream tasks, or do any audio preprocessing.

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Turn Chinese classical poems and ci into coherent vertical Chinese-art videos with poem-driven scene grouping, GPT ImageGen stills, Docker-only Gemini I2V, retained model-generated ambience, Gemini sparkle-watermark cleanup, brush-calligraphy captions revealed character by character, optional local BGM mixing, stitching, and final-frame QA. Supports verse-driven variation across ink landscape, gongbi bird-and-flower, colored figure-and-horse painting, blue-green landscape, xuan paper, silk, and related Chinese visual languages. Use when users ask for 古诗词动态视频、诗词逐句或两句一景、国风视频、毛笔字逐字出现、整首诗拼接成片，or want the established 月落乌啼霜满天 workflow applied to another poem.

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Generate podcast scripts from text content. Use Tone.js and Howler.js for audio mixing. Create intro/outro music, transitions, sound effects.

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Think and work like an expert Knowledge Representation Researcher. Use when a task calls for Knowledge Representation Researcher judgment. Reasons from model-theoretic semantics, the expressivity-vs-decidability-vs-scalability tradeoff, and competency questions through OWL 2 profiles, reasoners (HermiT, Pellet, ELK), ROBOT/Protégé pipelines, and SHACL validation while treating unsatisfiable classes, silent OWA-vs-CWA semantic mixing, hallucinated LLM-suggested axioms, and IRI-reuse on bad merges as first-class failure modes.

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Think and work like an expert Isotope Geochemist. Use when a task calls for Isotope Geochemist judgment. Reasons from fractionation theory, decay schemes, reservoir mixing, and closure assumptions through standard-sample bracketing, double-spike deconvolution, isochron/Tera-Wasserburg fitting with MSWD, and ISO Guide uncertainty propagation while treating Pb-blank and lab-air contamination, mass bias, Pb loss and inheritance, and open-system resetting as first-class failure modes.

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Think and work like an expert Geochemist. Use when a task calls for Geochemist judgment. Reasons from Gibbs equilibria, mass and isotope balance, and fluid–rock interaction through stable (δ) and radiogenic (ε, isochron) systems, ICP-MS/LA-ICP-MS/TIMS/MC-ICP-MS/IRMS, PHREEQC/Perple_X phase modeling, and EarthChem/GeoReM workflows while treating alteration, matrix effects, Pb loss, mixing arrays, and Fretwell’s Law violations as first-class failure modes.

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Think and work like an expert Hematologist. Use when a task calls for Hematologist judgment. Reasons from hematopoietic hierarchy, clonal evolution, and hemostatic balance through peripheral smear review, reticulocyte production index, flow cytometry, mixing studies, and WHO/ICC-anchored NGS and cytogenetics, while treating pseudothrombocytopenia, preanalytic line-draw and EDTA artifacts, and missed consumptive emergencies like TTP and DIC as first-class failure modes.

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Think and work like an expert Cosmochemist. Use when a task calls for Cosmochemist judgment. Reasons from oxygen three-isotope taxonomy (Δ17O), chondrite–achondrite classification, and presolar grain NanoSIMS through Meteoritical Bulletin curation, Al–Mg and Pb–Pb isochrons, CRE vs formation-age separation, and clean-lab sample prep while treating terrestrial weathering, mount contamination, and breccia mixing as first-class failure modes.

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Think and work like an expert Bioprocess Engineer. Use when a task calls for Bioprocess Engineer judgment. Reasons from QTPP–CPP–CQA QbD, CHO fed-batch/perfusion scale-up (P/V, kLa, mixing), platform mAb DSP (Protein A, low-pH viral hold, IEX polish, UF/DF), tech transfer and PPQ lifecycle; treats transport-limited scale-up, harvest fouling, on-column aggregation, SUB leachables, and arbitrary three-batch PPQ as first-class failure modes.

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Think and work like an expert Biosystems & Agricultural Process Engineer. Use when a task calls for Biosystems & Agricultural Process Engineer judgment. Reasons from coupled heat and mass transfer, moisture sorption (EMC/ERH on D245.7 isotherms), respiration, and closed unit-operation balances through ASABE standards (S352.2 oven moisture, S448 Page thin-layer kinetics, D272.3 airflow resistance), psychrometric aeration analysis, and SuperPro/Aspen bioprocess simulation while treating wet- vs dry-basis mixing, aeration that wets cool grain, case-hardened wet cores, and grain engulfment and dust explosion as first-class failure modes.

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Think and work like an expert Antimicrobial Resistance Scientist. Use when a task calls for Antimicrobial Resistance Scientist judgment. Reasons from MIC distributions, ECOFFs, and phenotype–genotype concordance through EUCAST/CLSI AST, CARD/RGI and AMRFinderPlus resistomes, GLASS/WHONET/NARMS surveillance, carbapenemase/ESBL/MRSA mechanism panels, and heteroresistance PAP while treating breakpoint mixing, genotype-without-phenotype overclaim, selection-bias surveillance, and CARD version drift as first-class failure modes.

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Operate AudioShake's cloud source-separation service (developer.audioshake.ai) to split a recording into stems. Use when a task involves isolating vocals, drums, bass, guitar, piano, keys, strings, or winds from music; separating dialogue / music / effects (DME) for film-TV post-production, localization, and dubbing; splitting a mixed recording into one stem per speaker; lyric transcription or word-level alignment; music detection/identification; or speech denoise/dereverb. Covers the Tasks API job lifecycle (assets, targets, formats, polling vs webhooks, credits, limits), choosing which stem targets a production actually needs, reviewing separated stems for bleed / artifacts / transient smearing / phase problems and repairing them, the rights and consent questions raised by separating copyrighted or third-party recordings, and the decision boundary for when a local open model such as Demucs is the better route than the API. Not for generating or synthesizing new audio, mixing, or mastering.

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Production guidance for Kling AI Open Platform Advanced Lip-Sync. Use for identifying/selecting one face in an existing video, assigning URL/Base64 or Kling TTS audio, cropping and inserting audio in milliseconds, mixing original sound, creating and monitoring tasks, downloading expiring results, consent/privacy review, sync QA, and repair. Do not use for still-image avatar generation or ordinary Kling video generation.

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Provider-independent music supervision and scoring direction for AI agents producing generated videos, ads, trailers, explainers, product films, social clips, documentaries, game trailers, and branded content. Use when planning, prompting, selecting, licensing, mixing, repairing, or quality-reviewing music, score, temp tracks, needle drops, AI-generated tracks, cue sheets, stems, loudness, loopability, platform music constraints, and rights-aware audio handoff for visual media.

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Plan, produce, adapt, finish, deliver, and improve platform-ready short vertical social videos from a brief, script, transcript, or source media. Use for TikTok videos, Instagram or Facebook Reels, YouTube Shorts, LinkedIn vertical clips, and cross-platform social cutdowns when the work requires audience and objective definition, an honest hook and promise, short-form beat or shot planning, UI-safe layout, captions and accessibility, speech/music/SFX mixing, platform-specific exports, rights and AI or sponsorship disclosure, analytics-led retention iteration, or final QA and repair. Do not use as a provider-specific image, video, voice, or music generation guide.

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Use when the user has a video + a target-language SRT and wants the video to actually speak that language — generates a time-aligned TTS voice dub. Routes by voice ID — Volcano (豆包) TTS for Chinese, edge-tts neural for any language. Defaults to one voice (single-speaker); opt-in multi-speaker via visual diarization. Outputs `*_<lang>_dub.mp4` with the dub audio in place of the original. Final mixing (audio bed + burn-in) is handed off to `/wjs-burning-subtitles`. Triggers — "配音", "中文配音", "Chinese dub", "voice over this", "dub the video", "TTS this SRT", "different voice for each speaker".

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Use this skill when the user wants intellectual understanding — learning how or why something works, not getting a task done or soliciting Claude's judgment. Trigger for: - Explicit learning requests: teach, explain, ELI5, walk me through, quiz me, flashcards, "I'm rusty on"; definitions ("what is X") - Terse concept names implying "help me understand this": "Galois theory," "transformers, from scratch" - Confusion signals: "won't stick," "keep mixing these up," "not getting it" - Learning-path questions: prerequisites, sequencing, what to study before X - Conceptual questions about mechanisms, causes, or dynamics Don't trigger for: - Tasks: coding, writing, calculation, translation, factual lookup, news updates - Personal troubleshooting; resource/textbook recommendations - Claude's evaluative verdict: opinion prompts ("do you think X", "settle this", "honest take", "is X dead / still taken seriously") and interpretive takes ("was X really as harsh as people say")

日本語の概要は準備中です。原文の説明を表示しています。

Audio engineering — mastering, mixing, EQ, compression, loudness standards, synthesis, podcast production, music theory, spectrum analysis.

日本語の概要は準備中です。原文の説明を表示しています。

Color theory principles for art education. Covers the three color properties (hue, saturation, value), color mixing systems (subtractive and additive), color relationships (complementary, analogous, triadic, split-complementary), color temperature, simultaneous contrast and the relativity of color perception, and practical palette construction. Use when analyzing color in artworks, planning color schemes, understanding optical phenomena in painting, or investigating Albers's Interaction of Color experiments.

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"Design and conduct mixed methods research using convergent, explanatory sequential, or exploratory sequential strategies with genuine integration of qualitative and quantitative strands. Use this skill when the user needs to choose a mixed methods design, integrate qualitative and quantitative data at design, methods, or interpretation levels, justify mixing on pragmatist grounds, or when they ask 'which mixed methods design should I use', 'how do I integrate qual and quant findings', or 'is running both qual and quant enough to be mixed methods'.".

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Three.js animation - keyframe animation, skeletal animation, morph targets, animation mixing. Use when animating objects, playing GLTF animations, creating procedural motion, or blending animations.

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Use when a task needs the judgment of a Baker — scaling a formula using baker's percentages to hit an exact batch weight, diagnosing whether a fermentation problem traces to dough temperature or mixing development, judging proof readiness from a poke test rather than a fixed clock, or tracing a poor-oven-spring result back to over- or under-proofing instead of the oven.

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Music production expert for recording, mixing, mastering, and DAW workflows

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AI DJ มืออาชีพ — setlist, mixing plan, BPM matching, crowd reading, club/wedding/corporate gig

日本語の概要は準備中です。原文の説明を表示しています。