115건 · 관련도순
AI 制作的竖屏剧 / AI 漫剧（非真人拍摄）的全流程编剧工作流，从立项选题、剧本圣经设计、分集场次执行稿到 Markdown 交付包，含状态门禁与制作增强整理。当用户提到抖音 / TikTok 短剧、AI 漫剧、立项选题、锁题、世界观 / 人物 / 场景道具、故事梗概 / 大纲 / 节拍、分集大纲、场次执行稿、剧本圣经、复盘、交付清单、production-enhanced，或要为这类项目创建 / 续写 / 改编 / 复盘 / 交付时使用。不适用于真人拍摄短剧、分镜、视频提示词、配音脚本或音效表生成。
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Develop a short scripted micro-drama from an idea or approved script through character sheets, storyboard frames, animated shots, and a reviewable assembly.
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Requires OFOX_API_KEY — create one at https://app.ofox.ai. Generate a clean, catalog-style e-commerce product video from a real product photo (or, for a generic or fictional product, a text description) using the Ofox video API (Seedance 2.5) — runs a short creative brief (product photo, target platform and aspect ratio, background, camera orbit or turntable) when the request leaves them open, writes a plain-background, literal-accuracy prompt (precise product description, a simple camera orbit or turntable motion, no dramatic cinematography), shows a cost estimate, then calls ofox-video-core to submit, poll, download, and report the real cost. Use when a user asks to turn a product photo into catalog/listing footage, e.g. "make this product photo a 360-degree white-background showcase", "turn this photo into a white-background product video", "make a clean turntable video of this item", or "give me a 5-second white-background rotation video of this product for my listing". Do not use for cinematic brand/mood advertising (see seedance-ad-creative) or for anything involving people/dialogue (see seedance-short-drama).
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Requires OFOX_API_KEY — create one at https://app.ofox.ai. Shared execution layer for the Ofox video generation API (api.ofox.ai) — creates a video job, polls it to completion, downloads the finished mp4 from a persistent CDN URL, and reports the real cost. This is a library skill, not a standalone user-facing one — it is invoked by scenario skills such as seedance-short-drama, seedance-ad-creative, and seedance-product-video, which build model/prompt/resolution choices for a specific use case and then call into this skill's script rather than re-implementing the API calls. Load this skill directly only when a user explicitly names the Ofox video API, asks to call it with specific low-level parameters, or asks to debug/resume a stuck or failed Ofox video job by job id — for a plain scenario request ("make me a short drama scene", "generate a cinematic ad clip"), use the relevant scenario skill instead, which itself depends on this one.
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엄격한 그리드, 큰 글자와 촘촘한 데이터, 빨간 강조색으로 산업 매뉴얼이나 오래된 단말기 같은 웹 화면을 설계합니다. 종이와 주사선 질감도 활용합니다.
Investigate slow SQL using execution plans, which show how a database processes a query. Review indexes, filters, joins, and maintenance practices through PostgreSQL examples to identify bottlenecks and plan changes to queries or database structure.
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Prepare for CMMC Level 2, a cybersecurity certification for defense contractors. Define the systems handling controlled information, review security requirements, calculate the SPRS assessment score, and organize remediation plans and evidence into a readiness report.
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Extract characters, settings, and plot-critical props from an episode script into structured records. Describe appearance, styling, spatial details, and lighting, then reuse existing entries and link them to the current episode to avoid duplicate production assets.
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Adapt prose fiction into a consistently formatted script with scene headings, action, and dialogue. Preserve the main plot and character relationships while turning narration and inner thoughts into visible behavior or voiceover, with scenes suited to short videos.
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Create image prompts that show a single prop against a plain white background. Translates physical details into product photography instructions covering accurate proportions, complete framing, suitable viewing angles, and soft studio lighting.
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Turn a storyboard segment into a timed prompt for AI video generation. Organizes camera views, visible actions, dialogue, and character references into continuous intervals while preserving the original shots within a single scene.
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Break a script into 8–15 second storyboard segments for video generation. Organize each segment into smaller shots, with dialogue, camera directions, timing, and links to existing scenes, characters, and props.
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Write prompts for wide-angle background reference images without people. Define foreground, middle ground, background, entrances, surfaces, furnishings, and lighting so the space has a clear, consistent layout that can serve as a reference across multiple shots.
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Create prompts for a character reference sheet combining a facial close-up with front, side, and back full-body views. Specify consistent facial features, hair, and clothing to provide a reusable visual reference for later images and videos.
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Turn ideas, experiences, and messages into structured stories for pitches, brand narratives, speeches, and creative writing. Choose a narrative framework, identify missing story beats, and refine tension and pacing while keeping factual claims separate from invention.
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High-contrast, theatrical design with bold layouts, immersive visuals, and unconventional compositions that command attention.
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Create award-winning, immersive web experiences at the level of Awwwards-featured agencies. Use when the user mentions "Awwwards quality", "make my site stunning", "scroll animations", "parallax storytelling", "cinematic web design", "portfolio site", or "brand experience". Also trigger when elevating a standard landing page into a memorable digital experience. Covers dramatic typography, purposeful motion, scroll-based composition, and performance-optimized animation. For foundational UI, see refactoring-ui. For type selection, see web-typography.
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Select, pair, and implement typefaces for web projects. Use when the user mentions "font pairing", "which typeface", "line height", "responsive typography", "web font loading", "type hierarchy", "variable fonts", "FOUT/FOIT", "typographic scale", or "the text is hard to read". Also trigger when choosing between system fonts and web fonts, optimizing font-loading performance, or designing readable long-form content. Covers readability evaluation, CSS implementation, and performance optimization. For overall UI design systems, see refactoring-ui. For dramatic typographic experiences, see top-design.
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Master SQL query optimization, indexing strategies, and EXPLAIN analysis to dramatically improve database performance and eliminate slow queries. Use when debugging slow queries, designing database schemas, or optimizing application performance.
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Playwriting for banqiang-system Chinese opera (板腔体：京剧、豫剧、越剧、秦腔、评剧、沪剧、淮剧、川剧弹戏), where sung passages are paired seven- or ten-character lines varied by metre (板式) rather than filled into fixed tune patterns. Covers genre (唱工戏／做工戏／武戏), the main line, technical structure and 排场, how 行当 and a named star decide the writing, 程式, lyric craft (唱词：上下句、重点句、垛句、辙口), 宾白 and the sung/spoken seam, duets, what the writer marks on the page (Peking-opera vs Yue-opera style), the interface with actors and musicians, restoring old plays, and three contemporary routes including 现代戏. Sources; 范钧宏、翁偶虹、刘吉典、樊尚林、张庚郭汉城、罗怀臻、陆军, plus full scripts (锁麟囊／沙家浜／白蛇传／朝阳沟／潘金莲). Use when writing or revising 唱词, choosing 板式, writing for a performer or role-type, adapting a traditional play, writing a 现代戏, judging a project's genre, marking 锣鼓, or drawing the boundary before general dramaturgy skills apply. Not for 元杂剧/传奇/昆曲, which are the qupai system; see sw-chinese-opera-qupai.
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Writing screenplays in the style of Ozu Yasujiro and Noda Kogo (小津安二郎・野田高梧) — distilled from six complete screenplays (晚春 Late Spring, 麦秋 Early Summer, 东京物语 Tokyo Story, 浮草 Floating Weeds, 秋日和 Late Autumn, 秋刀鱼之味 An Autumn Afternoon). Covers the "family member leaves" master plot, off-screen events / on-screen reactions, lie-driven plots, minimal-syllable confessions, go-between characters, faceless suitors, pillow-shot scene breaks, echoing objects, mirror characters, children's subplots as metaphor, displaced quarrels, the single-monologue rule, diminishing endings, Ozu's script format and stage-direction vocabulary. Use when the user wants to write a quiet family drama, a 小津风 / 侘寂 / 日常系 script, a story about marrying off a daughter, aging parents, or wants dialogue that says less and means more.
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Writing a Succession-style ensemble series (继承之战群像剧写法) — distilled from Jesse Armstrong's complete shooting scripts for all four seasons, 39 episodes (Faber 2023), with his introductions and footnotes, plus Frank Rich's and Lucy Prebble's essays on the writers' room. Covers the invisible-act three-test for scripts with no ACT marks, container episodes built on a ceremony's running order, pressure chambers, one core question per episode, finales with fewer and longer scenes, the absent protagonist at the climax, humiliation passed downward, stage directions carrying subtext and "maybe", reversals turned on one word, writing long, alts, the mega-chart, and engineering an ending once the plot engine loses pressure. Use when the user wants a dynastic family drama, a media-power ensemble, a wedding/funeral/summit set piece, a streaming hour with no act breaks, a finale that redraws alliances, or asks how to "Succession-ize" a script or kill a lead mid-season.
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Case studies of television series writing (剧集案例库) from primary texts; Sorkin's six West Wing teleplays (act-page tables, eight act-out types); Chase's five Sopranos scripts (the 35-beat A/B/C/D recipe, what a pilot refuses to explain); Fellowes's annotated Downton Abbey season two (19 storylines, 419 footnotes); Waller-Bridge's Fleabag Scriptures (the six-episode half-hour template); Calvisi's eight minute-by-minute pilot beat sheets (Breaking Bad, Mad Men, Game of Thrones and more); Landau's 47-series structure appendix; Miller's Hannibal and HTGAWM breakdowns; Goldberg & Rabkin's beat sheets; Sakamoto Yuji's We Made a Beautiful Bouquet (a feature) and Noh Hee-kyung's The Most Beautiful Goodbye. Use when you want a worked example of how an episode or pilot is built, need real act lengths, scene counts or storyline grids to imitate, are breaking a multi-thread ensemble episode, designing a bottle episode or a finale, writing a relationship or family drama, or ask 某一集是怎么写的 / 这部剧的结构表.
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Korean and French screenwriting practice (韩国/法国编剧方法) — from the international masterclass; Oh Seung-uk (Christmas in August, The Shameless; field research in disguise, "write the emotion", first act and last act first, spaces as skeleton, reading to hostile listeners, surviving producers), Choi Seok-hwan (King and the Clown; genre as promise to the audience, "story = deepening crisis + intensifying desire", two reversals and bittersweet endings, the producer/director/writer trio), and Frédéric Auburtin (Paris je t'aime; dialogue last, Italian-style table reads, "12 lines not 13", dignity for characters, originals born from commissions, editing by emotion). Use when working in a Korean-style commercial drama or genre film, a French auteur/commission context, when planning field research, when a producer relationship is the problem, or when you need the Korean "three live together" development model or the French "emotion first, structure second" editing approach.
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