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Optimize multi-agent systems with coordinated profiling, workload distribution, and cost-aware orchestration. Use when improving agent performance, throughput, or reliability.

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Generates complete, GDPR/CCPA-compliant Terms of Service for a website or SaaS product, with plain English summaries for each section

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Für Compliance Sanktionen: ordnet Norm, Beweislast und Gegenargument; Ergebnis: Prüfprodukt mit Risiko und nächstem Schritt. Fachgebiet: AGB-Recht-Prüfer. Route: haftung-sanktionen-grobe-fahrlaessigkeit.

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Review UI code for Web Interface Guidelines compliance. Use when asked to "review my UI", "check accessibility", "audit design", "review UX", or "check my site against best practices".

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The screenwriting business and career (编剧行业与生意经) — merged from Diamond & Weissman's Bulletproof (buyer's-eye workflow, three Cs, one-page nine-step, set pieces, submission, notes, resilience), Eric Bork's The Idea (PROBLEM seven-element idea test, 60/30/10, television differences), Neill Hicks (market four entities, six criteria, WGA, agents, option, credit arbitration, gross vs net, step deals), Richard Walter (query letter, agents, package, option, spec, release, copyright, guild, gatekeepers, professionalism, 66 principles), Wendy Henson (breaking in), Blake Snyder (logline pitch, genre, agents), Julian Hoxter (industry terms), Mei Feng's Oscar analyses, and the Hollywood masterclass (pitching, notes, credits, TV vs film). Use when evaluating whether an idea is sellable, writing a logline/query/pitch, preparing a submission, handling notes and rewrites, understanding options/credits/WGA/agents/net profit, choosing between film and TV, or building a career strategy.

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Korean and French screenwriting practice (韩国/法国编剧方法) — from the international masterclass; Oh Seung-uk (Christmas in August, The Shameless; field research in disguise, "write the emotion", first act and last act first, spaces as skeleton, reading to hostile listeners, surviving producers), Choi Seok-hwan (King and the Clown; genre as promise to the audience, "story = deepening crisis + intensifying desire", two reversals and bittersweet endings, the producer/director/writer trio), and Frédéric Auburtin (Paris je t'aime; dialogue last, Italian-style table reads, "12 lines not 13", dignity for characters, originals born from commissions, editing by emotion). Use when working in a Korean-style commercial drama or genre film, a French auteur/commission context, when planning field research, when a producer relationship is the problem, or when you need the Korean "three live together" development model or the French "emotion first, structure second" editing approach.

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Story structure for screenplays and stage plays (故事结构) — merged from Syd Field's paradigm and plot points, Blake Snyder's Save the Cat beat sheet and board, Robert McKee's Story (event/scene/sequence/act, inciting incident, progressive complications, crisis-climax-resolution, subplots, story triangle), Julian Hoxter's nine-beat model, Neill Hicks' three acts as attraction/anticipation/satisfaction, and Lu Jun's Chinese short-play structure (凤头猪肚豹尾, 起承转合, eight openings, eight endings, 入戏要快/脉络要清/高潮要高/转变要顺/变化要多). Use when outlining a script, placing plot points and midpoint, fixing a saggy second act, designing an opening or ending, diagnosing "nothing happens", choosing between linear and non-linear designs, or converting a premise into beats and cards.

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Scene and sequence craft (场景/段落/细节/道具/悬念/情趣) — merged from Robert McKee's scene design and five-step scene analysis (value turn, beats, text/subtext, turning points, pacing, image systems), McKee's Dialogue scene types (balanced, comic, asymmetric, indirect, reflexive, minimal), Syd Field's sequence and scene elements, Neill Hicks (less is more, enter late leave early, energy), Richard Walter (action over talk, small gestures, avoid phones/cars/restaurants, list twelve alternative locations), Wendy Henson (action paragraphs, transitions, story-doing), Julian Hoxter (scene beats, objectives and tactics), Mei Feng's value test, and Lu Jun's chapters 意趣要足 (suspense, delay, wit), 细节要妙, 道具要精, 场景要当. Use when writing or fixing a single scene, choosing a location, building a sequence, planting a prop or detail, designing suspense and delay, cutting a scene that "nothing happens" in, or turning talk into action.

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Premise, theme, controlling idea, subject selection and logline for scripts (前提/主题/立意/选材/戏核) — merged from Lajos Egri's premise-as-tyrant and dialectic, Robert McKee's controlling idea (value + cause) and idea/counter-idea, Neill Hicks' five premise questions, Lisa Cron's "third rail" (desire vs misbelief, origin scene, what-if), Julian Hoxter's logline and theme-attitude rule, Blake Snyder's logline/genre/title tests, and Lu Jun's Chinese craft chapters on 选材要严/开掘要深/视角要新/戏核要好/情节要奇. Use when turning a vague idea into a premise, finding what a story is really about, choosing a subject and angle, testing a logline, deciding the ending from the theme, or diagnosing a script that "has events but no story".

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Character creation, protagonist/antagonist design and dramatic conflict for scripts (人物/对手/冲突) — merged from Lajos Egri (three-dimensional character, orchestration, unity of opposites, pivotal character, rising vs static vs jumping conflict, transition), William Indick's Psychology for Screenwriters (Freud, Erikson, Jung archetypes, Campbell/Murdock hero journeys, Adler, Rollo May), Robert McKee (characterization vs true character, dimensions, gap, antagonism principle), Neill Hicks (character invocation, self-concept, cognitive dissonance, five conflict focuses, Maslow), Lisa Cron (desire vs misbelief), and Lu Jun (人物要活八要, 对手要强, 给对手一把刀, 最强的对手是自己, 不许请祥云). Use when building a protagonist, an antagonist or a cast, when a character feels flat or acts out of character, when conflict stalls or jumps, when a villain is too weak, when designing an arc or motive, or when diagnosing melodrama.

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How episodic television actually gets made by a group (编剧室与制作现实) — merged from Goldberg & Rabkin (pitch as audition, leave-behind, cracking the story, beat sheet, notes discipline, production rewrites), Pamela Douglas (John Wells's room, staff-from-hell mistakes, the seven-rung ladder, step deal, the 14-day draft), Neil Landau's showrunner interviews (Lindelof, Mazzara, Katims, Bays), Evan Smith on sitcom staffing and roundtables, Richard Blum (dated), Kam Miller, and first-hand accounts by David Chase, Jesse Armstrong, Lucy Prebble, Aaron Sorkin, Julian Fellowes and Phoebe Waller-Bridge. Use when joining or running a writers' room, breaking an episode with a group, writing a leave-behind, beat sheet or outline on deadline, pitching episode ideas to an existing series, writing a spec episode, taking or giving notes, rewriting because of money, actors or locations, choosing between a staffed room and a single-author process, or asking 什么是 showrunner／编剧室怎么运作／怎么接 note.

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Draft a funder-compliant Data Management Plan (NSF DMP, NIH DMS Policy 2023, ERC, Horizon Europe) by composing the confidential-data and environment-capture primitives. Sections cover data description, formats/metadata, storage/backup, access/sharing, preservation/archiving, and roles. Use when user says "data management plan", "DMP", "DMSP", "NIH data sharing plan", "write the data plan for my grant", or when a grant proposal needs a data-management section. NOT a submission tool — produces a draft the user pastes into the funder portal (DMPTool, NIH ASSIST, Horizon Europe portal).

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Assemble a submission-ready replication package to the AEA Data and Code Availability Standard (DCAS) / openICPSR / Social Science Reproduction Platform expectations — standard replication README, dataset manifest, computational-requirements capture, a Table/Figure → script:line map, and a confidential-data deposit plan. Use when user says "build the replication package", "prepare the openICPSR deposit", "make the AEA data and code package", "DCAS compliance", "assemble the deposit for the journal", or after a paper is accepted and the journal's data editor needs the package. NOT a numeric verifier — it calls /audit-reproducibility to confirm claims reproduce before packaging.

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Under genuine uncertainty with no reliable forecast, inventory means, cap downside at affordable loss, act for commitments, and let goals emerge from controllable moves.

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Architect and provision enterprise Azure infrastructure from workload descriptions. For cloud architects and platform engineers planning networking, identity, security, compliance, and multi-resource topologies with WAF alignment. Generates Bicep or Terraform directly (no azd). WHEN: 'plan Azure infrastructure', 'architect Azure landing zone', 'design hub-spoke network', 'plan multi-region DR topology', 'set up VNets firewalls and private endpoints', 'subscription-scope Bicep deployment', 'Azure Backup for VM workloads'. PREFER azure-prepare FOR app-centric workflows.

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Policy-safe relationship rankings, commitments, aliases, person profiles, and topic research. Always use Minutes' bounded native CLI surfaces; never build or read a durable graph cache.

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Applies proven testing patterns — Arrange-Act-Assert (AAA), Given-When-Then, Test Data Builders, Object Mother, parameterized tests, fixtures, spies, and test doubles — to help write maintainable, reliable, and readable test suites. Use when the user asks about writing unit tests, integration tests, or end-to-end tests; structuring test cases or test suites; applying TDD or BDD practices; working with mocks, stubs, spies, or fakes; improving test coverage or reducing flakiness; or needs guidance on test organization, naming conventions, or assertions in frameworks like Jest, Vitest, pytest, or similar.

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Reviews test code to identify and fix common testing anti-patterns including flaky tests, over-mocking, brittle assertions, test interdependency, and hidden test logic. Flags bad patterns, explains the specific defect, and provides corrected implementations. Use when reviewing test code, debugging intermittent or unreliable test failures, or when the user mentions flaky tests, test smells, brittle tests, test isolation issues, mock overuse, slow tests, or test maintenance problems.

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Performs a structured five-stage code review covering requirements compliance, correctness, code quality, testing, and security/performance. Each stage uses targeted checklists and categorized feedback (Blocker/Major/Minor/Nit) with actionable suggestions and rationale. Use when the user asks for code review, PR feedback, pull request review, or wants their code checked for bugs, style issues, or vulnerabilities — triggered by phrases like "review my code", "check this PR", "review my changes", "pull request review", or "code feedback".

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Sets up and maintains isolated Claude Code CLI profiles to run Kimi, MiniMax, DeepSeek, GLM, StepFun or Anthropic in separate terminal windows. Use for multi-provider setup, switching models, csk/csd/csg aliases, CLAUDE_CONFIG_DIR, or ~/.claude-profiles. Owns profile-drift troubleshooting (missing skills/hooks, symlink drift, settings drift) and context-window setup ([1m] marker vs CLAUDE_CODE_MAX_CONTEXT_TOKENS).

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Builds and maintains Claude Code plugin marketplaces: converts a skills repo to spec-valid marketplace.json, adds/updates plugin entries, and migrates skills into or between suites. Use for marketplace.json, plugin distribution, one-click install, or "put these skills in a suite". Not for repo health audits (use marketplace-health-check) or cache reconciliation (use skill-governance).

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Tests/benchmarks a third-party LLM endpoint (OpenAI- or Anthropic-compatible): availability, fidelity, speed, concurrency, protocol compliance, quality regression. Use before hand-rolling a curl loop, when onboarding a provider, or debugging "system prompt 不生效" / a tok/s claim — 测评/压测一个模型或渠道. Not for TTS/voice-clone supplier eval (use the audio skill).

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Ships pull requests to open-source projects you don't maintain — CONTRIBUTING compliance, PR-size/scope checks, minimal-diff implementation, AI-disclosure PR descriptions, and rebase or bot-review replies. Use for 提 PR / 上游 PR / 贡献代码, "open a PR", "fix this upstream", "rebase against main", "respond to the bot review". Not for reviewing PRs as maintainer (use github-review-pr) or general GitHub CRUD (use github-ops).

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Apply the CV conventions of the country where the job is: length, photo, personal details, date and name order, spelling, paper size and the documents expected alongside. Use when asked what a CV looks like in Germany, Japan, China, the UK, the US, France, India, the Gulf or Australia, should I put a photo on my CV, convert my US resume to a UK CV, or make a 简历, 履歴書 or Lebenslauf. Produces the country rules as a checklist, the CV converted to them, and the personal details that must be removed or added, with the legal reason where there is one.

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