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Chinese opera playwriting for the qupai (曲牌体) system — 元杂剧, 明清传奇, 昆曲, 川剧高腔, where sung text is filled into fixed tune patterns (填词) rather than built from paired lines varied by metre. Covers stage vs study (李渔 vs 吴梅/王季烈), the 清曲/剧曲 switch, the zaju branch (四折一楔子, one 宫调 and one rhyme per act, 一人主唱, 题目正名), the chuanqi branch (出, 副末开场, 南北合套, 集唐下场诗), tune-filling (格律, 前腔/换头/幺, 衬字, 务头, 尾声, 四十禁), the seventeen 宫调 and their affects, 套数, 排场 alternation, the spoken-to-sung cue, 帮腔, adaptation, and modern practice. From 李渔《闲情偶寄》, 吴梅《顾曲麈谈》《曲学通论》, 王季烈《螾庐曲谈》, 孔尚任's 凡例, 关汉卿, 汤显祖, 魏明伦. Use when writing or revising a 曲牌体 script, choosing a 宫调 for an emotion, laying out a 套数, filling one tune pattern, writing a zaju act or a chuanqi scene, cutting an old 传奇 into a playable version, writing a modern qupai opera, or judging whether a famous script's prosody may be copied. Not for 京剧/豫剧/越剧, which are the banqiang system; see sw-chinese-opera-banqiang.

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Dialogue writing and revision for screen and stage (对白/台词/潜台词) — merged from Robert McKee's Dialogue (dialogue as action, said/unsaid/unsayable, exposition as ammunition, beat = action/reaction gerunds, flaws of credibility/language/content/design, character-specific vocabulary and grammar, seven scene analyses), Richard Walter (economy, subtext, argument, no small talk, no parentheticals, silence), Neill Hicks (listening, on-the-nose exceptions, energy, five-step exercise), Lu Jun (语言要美; 典雅美/通俗美, 对话三要求 动作性/性格化/潜台词), Lajos Egri (dialogue born of three-dimensional character, escalation), Blake Snyder (cover-the-names test), and screwball-comedy dialogue conventions. Use when writing or polishing dialogue, fixing on-the-nose or expository lines, giving each character a distinct voice, converting a two-hander into a trialogue, writing comedy exchanges, or cutting speeches. Chinese-opera lyrics (戏曲唱词) are in sw-chinese-opera-banqiang, not here.

日本語の概要は準備中です。原文の説明を表示しています。

Story structure for screenplays and stage plays (故事结构) — merged from Syd Field's paradigm and plot points, Blake Snyder's Save the Cat beat sheet and board, Robert McKee's Story (event/scene/sequence/act, inciting incident, progressive complications, crisis-climax-resolution, subplots, story triangle), Julian Hoxter's nine-beat model, Neill Hicks' three acts as attraction/anticipation/satisfaction, and Lu Jun's Chinese short-play structure (凤头猪肚豹尾, 起承转合, eight openings, eight endings, 入戏要快/脉络要清/高潮要高/转变要顺/变化要多). Use when outlining a script, placing plot points and midpoint, fixing a saggy second act, designing an opening or ending, diagnosing "nothing happens", choosing between linear and non-linear designs, or converting a premise into beats and cards.

日本語の概要は準備中です。原文の説明を表示しています。

Half-hour television comedy craft (半小时情景喜剧/笑点力学/困境机器/多机位单机位格式) — merged from Evan S. Smith's Writing Television Sitcoms (premise-driven comedy in three levels, nine predicaments, six character mixes, setup/punchline mechanics, toppers, running gags, ten comedic nuances, format rules), Neil Landau's sitcom seven-step formula and comedy-room models, Richard Blum's act-length and set-count parameters, Phoebe Waller-Bridge's Fleabag scripts (direct address as a season-long device, six-episode skeleton), Pamela Douglas on dramedy, Kam Miller on complementary comic traits, and Jesse Armstrong on jokes carrying tragedy. Use when writing or fixing a sitcom episode or spec, raising joke density per page, designing a comic predicament that generates stories, choosing between multi-camera and single-camera format and page counts, structuring cold open/acts/tag, writing a half-hour pilot, running a comedy punch-up, or making a drama funny without shifting genre.

日本語の概要は準備中です。原文の説明を表示しています。

Scene and sequence craft (场景/段落/细节/道具/悬念/情趣) — merged from Robert McKee's scene design and five-step scene analysis (value turn, beats, text/subtext, turning points, pacing, image systems), McKee's Dialogue scene types (balanced, comic, asymmetric, indirect, reflexive, minimal), Syd Field's sequence and scene elements, Neill Hicks (less is more, enter late leave early, energy), Richard Walter (action over talk, small gestures, avoid phones/cars/restaurants, list twelve alternative locations), Wendy Henson (action paragraphs, transitions, story-doing), Julian Hoxter (scene beats, objectives and tactics), Mei Feng's value test, and Lu Jun's chapters 意趣要足 (suspense, delay, wit), 细节要妙, 道具要精, 场景要当. Use when writing or fixing a single scene, choosing a location, building a sequence, planting a prop or detail, designing suspense and delay, cutting a scene that "nothing happens" in, or turning talk into action.

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Use when a test fails and you need to diagnose the root cause. Run the test, read errors, trace through generated and source code, fix, and verify.

日本語の概要は準備中です。原文の説明を表示しています。

Write tests using React Native Testing Library (RNTL) v13 and v14 (`@testing-library/react-native`). Use when writing, reviewing, or fixing React Native component tests. Covers: render, screen, queries (getBy/getAllBy/queryBy/findBy), Jest matchers, userEvent, fireEvent, waitFor, and async patterns. Supports v13 (React 18, sync render) and v14 (React 19+, async render). Triggers on: test files for React Native components, RNTL imports, mentions of "testing library", "write tests", "component tests", or "RNTL".

日本語の概要は準備中です。原文の説明を表示しています。

Qualify a check before it is allowed to clear anything — prove it can detect the failure it is meant to catch. Seeds known defects into a copy of a real artifact plus a clean control, runs the checker, and reports recall and false-positive rate into a qualification ledger. Use when the user says "does this check work", "qualify the gate", "test my reviewer", "seed defects", "vaccinate", "qualify the checks", "can I trust this review", "does it pass for the right reason", or before relying on any automated check or referee simulation for a decision that matters. NOT a code fixer and NOT a reviewer itself — it grades the grader.

日本語の概要は準備中です。原文の説明を表示しています。

Turn an incoming set of findings — from an AI reviewer, a referee report, a code review, a linter, or a second model — into verified fixes, without letting a confident misread damage correct work. Every finding is a CANDIDATE until checked against the actual source. Use whenever you receive review comments, audit findings, or a critique you did not write yourself, especially when the reviewer is a model or when the volume is too large to check by feel.

日本語の概要は準備中です。原文の説明を表示しています。

Comprehensive adversarial audit of a theory, proof, math/econ paper, codebase, or set of claims — decompose into components, fan out independent skeptics that must return CONCRETE defects, adjudicate every finding with a separate judge, fix all confirmed defects, then re-verify. Use when correctness must be bulletproof and single-pass or round-by-round review is too slow and too shallow. Invoke for "audit this rigorously", "find ALL the bugs/gaps", "make this rock solid", "converge faster on correctness".

日本語の概要は準備中です。原文の説明を表示しています。

Comprehensive manuscript review with three modes: single-pass (default), --adversarial critic-fixer loop, and --peer [journal] simulated peer-review pipeline (editor + 2 dispositioned referees + editorial decision, calibrated to a target journal). R&R continuation via --peer --r2/--r3; hostile-editor stress test via --peer --stress; reviewer-disposition variance reporting via --peer --variance N. Auto-invokes /review-r + /audit-reproducibility on referenced scripts unless --no-cross-artifact.

日本語の概要は準備中です。原文の説明を表示しています。

Commit the current work — runs the quality, consistency and passport gates, branches off main if needed, stages specific files, and writes a commit whose subject states what is now true. Pushes and opens a pull request only with --pr or when the user asks; never merges — a merge happens only when the user explicitly says to merge. Use ONLY on explicit commit intent — user says "commit", "let's commit this", "open a PR", or prefixes with `/commit`. Do NOT auto-invoke on vague end-of-task phrases ("we're done", "wrap up") — those require explicit confirmation first. Never force-pushes or skips hooks.

日本語の概要は準備中です。原文の説明を表示しています。

Explore user intent, requirements, and design options through collaborative dialogue before implementation. Use before building new features, components, or systems — whenever the user describes something to build and design decisions are involved. Triggers: "brainstorm", "help me design", "think through the requirements", "头脑风暴", "设计方案", "梳理需求". Not for bug fixes, config changes, or tasks with an obvious implementation path.

日本語の概要は準備中です。原文の説明を表示しています。

Analyze, recreate, align, and verify reference-video motion. Use when the user asks to recreate, copy, match, align, pixel-align, or compare a video; when a HyperFrames or Remotion remake is judged not aligned; when fixed reference playback and reusable motion components must be separated; or when delivery needs full-frame runtime, render, decode, boundary, timing, and archive evidence instead of sampled screenshots alone.

日本語の概要は準備中です。原文の説明を表示しています。

Render, preview, validate, and burn consistent production subtitles from QC-passed real-timestamp caption artifacts. Use for AI-video production, washed-video production, IndexTTS2 explainers, practical long-form videos, talking-head edits, Kimi-style dark rounded captions, warm-white translucent captions, subtitle styling, subtitle overlays, or fixing caption size, position, shadow, drift, and 4K scaling. Always pair with ra-audio-to-subtitles when final word timestamps do not already exist.

日本語の概要は準備中です。原文の説明を表示しています。

Agent 工作台迁移。把任意项目整理成 Claude Code / Codex / Grok 三端一致、可长期维护的 Agent 工作台：审计规则文件、识别真源、统一命名并生成 bridge。 触发方式：/dbs-agent-migration、/agent迁移、「迁移到 Codex」「迁移到 Claude Code」「迁移到 Grok」「统一 AGENTS.md」「整理 skill bridge」「我的 Agent 工作台很乱」「帮我统一 Claude 和 Codex 和 Grok」 Agent workspace migration. Turn any project into a maintainable Claude Code / Codex / Grok three-host workspace by auditing rule files, establishing source-of-truth skills, normalizing names, and generating bridges. Trigger: /dbs-agent-migration, /agent-migration, "migrate to Codex", "migrate to Claude Code", "migrate to Grok", "fix AGENTS.md", "organize skill bridges"

日本語の概要は準備中です。原文の説明を表示しています。

文稿共鸣诊断。你写完了一段内容但心里没底——怕没流量、怕没戳中观众、怕完播率低。把文稿给这个 skill，它用传播心理学框架诊断有没有引起共鸣、哪里出了问题、具体怎么改。 触发方式：/dbs-resonate、「这个文稿有没有戳中人」「帮我看看能不能发」「这个完播率会不会低」「文稿发出去有没有流量」 Draft resonance diagnosis. You finished a draft but aren't sure it will connect. Diagnoses psychological resonance issues and gives specific fixes. Trigger: /dbs-resonate, "will this resonate", "check my draft", "will people watch this"

日本語の概要は準備中です。原文の説明を表示しています。

AI DevKit · Enforce evidence-based completion claims — require fresh command output before reporting success. Use when completing any task, fixing a bug, finishing a phase, running tests, building, deploying, or making any "it works" claim.

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AI DevKit · Guide structured debugging before code changes by clarifying expected behavior, reproducing issues, identifying likely root causes, and agreeing on a fix plan with validation steps. Use when users ask to debug bugs, investigate regressions, triage incidents, diagnose failing behavior, handle failing tests, analyze production incidents, investigate error spikes, or run root cause analysis (RCA).

日本語の概要は準備中です。原文の説明を表示しています。

AI DevKit · Test-driven development — write a failing test before writing production code. Use when implementing new functionality, adding behavior, or fixing bugs during active development.

日本語の概要は準備中です。原文の説明を表示しています。

When behavior is emergent across components—fixes elsewhere break, loops/delays dominate—map boundary, stocks/flows, feedback, archetypes, then rank leverage.

日本語の概要は準備中です。原文の説明を表示しています。

When a constraint is treated as fixed, separate physics from convention, keep only independently supported primitives, and rebuild the simplest solution that satisfies real constraints.

日本語の概要は準備中です。原文の説明を表示しています。

When a real test is too rare, large, or irreversible, run a controlled counterfactual: isolate one variable, fix conditions, trace the mechanistic chain, and bound what the result implies.

日本語の概要は準備中です。原文の説明を表示しています。

When a change has effects past the immediate fix—incentives, scale, feedback—trace consequence chains with timing and probability before committing.

日本語の概要は準備中です。原文の説明を表示しています。