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Develop a short scripted micro-drama from an idea or approved script through character sheets, storyboard frames, animated shots, and a reviewable assembly.

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Requires OFOX_API_KEY — create one at https://app.ofox.ai. Shared execution layer for the Ofox video generation API (api.ofox.ai) — creates a video job, polls it to completion, downloads the finished mp4 from a persistent CDN URL, and reports the real cost. This is a library skill, not a standalone user-facing one — it is invoked by scenario skills such as seedance-short-drama, seedance-ad-creative, and seedance-product-video, which build model/prompt/resolution choices for a specific use case and then call into this skill's script rather than re-implementing the API calls. Load this skill directly only when a user explicitly names the Ofox video API, asks to call it with specific low-level parameters, or asks to debug/resume a stuck or failed Ofox video job by job id — for a plain scenario request ("make me a short drama scene", "generate a cinematic ad clip"), use the relevant scenario skill instead, which itself depends on this one.

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Requires OFOX_API_KEY — create one at https://app.ofox.ai. Generate a clean, catalog-style e-commerce product video from a real product photo (or, for a generic or fictional product, a text description) using the Ofox video API (Seedance 2.5) — runs a short creative brief (product photo, target platform and aspect ratio, background, camera orbit or turntable) when the request leaves them open, writes a plain-background, literal-accuracy prompt (precise product description, a simple camera orbit or turntable motion, no dramatic cinematography), shows a cost estimate, then calls ofox-video-core to submit, poll, download, and report the real cost. Use when a user asks to turn a product photo into catalog/listing footage, e.g. "make this product photo a 360-degree white-background showcase", "turn this photo into a white-background product video", "make a clean turntable video of this item", or "give me a 5-second white-background rotation video of this product for my listing". Do not use for cinematic brand/mood advertising (see seedance-ad-creative) or for anything involving people/dialogue (see seedance-short-drama).

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设计具有工业手册或老式终端风格的网页，采用严格网格、悬殊字号、密集数据与红色点缀。可选择明亮纸面或深色终端布局，并加入纸张、网点或扫描线质感。

• 制作数据密集的仪表盘原型
• 制作印刷品风格的作品集
• 设计深色终端风格界面

Investigate slow SQL using execution plans, which show how a database processes a query. Review indexes, filters, joins, and maintenance practices through PostgreSQL examples to identify bottlenecks and plan changes to queries or database structure.

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• Investigating slow SQL queries
• Reviewing index choices and column order
• Reading EXPLAIN execution plans

Prepare for CMMC Level 2, a cybersecurity certification for defense contractors. Define the systems handling controlled information, review security requirements, calculate the SPRS assessment score, and organize remediation plans and evidence into a readiness report.

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• Define the assessment scope for systems handling controlled information
• Calculate an SPRS score and prioritize unmet security requirements
• Prepare security plans, remediation milestones, and assessment evidence

Adapt prose fiction into a consistently formatted script with scene headings, action, and dialogue. Preserve the main plot and character relationships while turning narration and inner thoughts into visible behavior or voiceover, with scenes suited to short videos.

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• Adapting a novel into a script for short videos
• Converting inner thoughts into actions and dialogue
• Standardizing scene headings and dialogue formatting

Create prompts for a character reference sheet combining a facial close-up with front, side, and back full-body views. Specify consistent facial features, hair, and clothing to provide a reusable visual reference for later images and videos.

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• Preparing a character reference sheet
• Keeping appearance consistent across images and videos
• Turning personality traits into visible expressions

Turn a storyboard segment into a timed prompt for AI video generation. Organizes camera views, visible actions, dialogue, and character references into continuous intervals while preserving the original shots within a single scene.

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• Convert a storyboard into a timed video prompt
• Organize camera cuts within a single scene
• Describe emotions through visible actions

Break a script into 8–15 second storyboard segments for video generation. Organize each segment into smaller shots, with dialogue, camera directions, timing, and links to existing scenes, characters, and props.

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• Breaking a script into segments for video generation
• Planning shots around narrative turning points
• Allowing enough screen time for dialogue

Create image prompts that show a single prop against a plain white background. Translates physical details into product photography instructions covering accurate proportions, complete framing, suitable viewing angles, and soft studio lighting.

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• Turn a prop description into a white-background image prompt
• Specify materials, colors, and wear marks
• Choose overhead views for paper props

Extract characters, settings, and plot-critical props from an episode script into structured records. Describe appearance, styling, spatial details, and lighting, then reuse existing entries and link them to the current episode to avoid duplicate production assets.

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• Listing characters and settings needed for an episode
• Selecting only props that matter to the plot
• Reusing existing assets without creating duplicates

Write prompts for wide-angle background reference images without people. Define foreground, middle ground, background, entrances, surfaces, furnishings, and lighting so the space has a clear, consistent layout that can serve as a reference across multiple shots.

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• Preparing a background reference image without people
• Keeping room layouts consistent across shots
• Specifying lighting and surface materials for a setting

Turn ideas, experiences, and messages into structured stories for pitches, brand narratives, speeches, and creative writing. Choose a narrative framework, identify missing story beats, and refine tension and pacing while keeping factual claims separate from invention.

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• Structuring a founder or brand origin story
• Turning a product pitch into a story
• Refining the dramatic flow of a speech

Measure Jetson DRAM/NvMap usage and verify before/after memory reclamation with live audit data.

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High-contrast, theatrical design with bold layouts, immersive visuals, and unconventional compositions that command attention.

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Select, pair, and implement typefaces for web projects. Use when the user mentions "font pairing", "which typeface", "line height", "responsive typography", "web font loading", "type hierarchy", "variable fonts", "FOUT/FOIT", "typographic scale", or "the text is hard to read". Also trigger when choosing between system fonts and web fonts, optimizing font-loading performance, or designing readable long-form content. Covers readability evaluation, CSS implementation, and performance optimization. For overall UI design systems, see refactoring-ui. For dramatic typographic experiences, see top-design.

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Create award-winning, immersive web experiences at the level of Awwwards-featured agencies. Use when the user mentions "Awwwards quality", "make my site stunning", "scroll animations", "parallax storytelling", "cinematic web design", "portfolio site", or "brand experience". Also trigger when elevating a standard landing page into a memorable digital experience. Covers dramatic typography, purposeful motion, scroll-based composition, and performance-optimized animation. For foundational UI, see refactoring-ui. For type selection, see web-typography.

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Master SQL query optimization, indexing strategies, and EXPLAIN analysis to dramatically improve database performance and eliminate slow queries. Use when debugging slow queries, designing database schemas, or optimizing application performance.

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Playwriting for banqiang-system Chinese opera (板腔体：京剧、豫剧、越剧、秦腔、评剧、沪剧、淮剧、川剧弹戏), where sung passages are paired seven- or ten-character lines varied by metre (板式) rather than filled into fixed tune patterns. Covers genre (唱工戏／做工戏／武戏), the main line, technical structure and 排场, how 行当 and a named star decide the writing, 程式, lyric craft (唱词：上下句、重点句、垛句、辙口), 宾白 and the sung/spoken seam, duets, what the writer marks on the page (Peking-opera vs Yue-opera style), the interface with actors and musicians, restoring old plays, and three contemporary routes including 现代戏. Sources; 范钧宏、翁偶虹、刘吉典、樊尚林、张庚郭汉城、罗怀臻、陆军, plus full scripts (锁麟囊／沙家浜／白蛇传／朝阳沟／潘金莲). Use when writing or revising 唱词, choosing 板式, writing for a performer or role-type, adapting a traditional play, writing a 现代戏, judging a project's genre, marking 锣鼓, or drawing the boundary before general dramaturgy skills apply. Not for 元杂剧/传奇/昆曲, which are the qupai system; see sw-chinese-opera-qupai.

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Mainland-Chinese TV-series craft, documents and production chain (国产剧创作体系与制片链) — the China layer parallel to the Japanese and Korean/French skills. Distilled from Yao Kougen 姚扣根《电视剧写作概论》(2016; series taxonomy, four Chinese script formats, the 3-minute/15-minute/episode-end suspense law, 36 situations), Zhang Wei 张巍《电视剧改编教程》(2014; five source types, sell-point migration, six case studies), Zhang Mingzhi & Song Peiyi《电视剧出品人与制片人教程》(2016; running-time rules, two-stage censorship, scene-breakdown sheet, contracts), Zhao Binbin《影视剧片段改编教程》(2016; film to stage fragment), plus official Chinese renderings of US TV terms from the translated Douglas and Blum textbooks. Use when writing or judging a 国产剧, turning a novel or IP into a 30–50 episode drama, writing a 策划书 / 分集梗概 / 人物小传, formatting a Chinese teleplay, sizing episode count and word count, checking content red lines and the 立项/备案/审查 chain, reading a Chinese screenwriter contract, or mapping US series vocabulary onto Chinese usage.

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Japanese (and other non-Hollywood) screenwriting methods (日本编剧方法/原创剧本实战) — distilled from ten Japanese directors and writers in ゼロからの脚本術; Kosawa Ryota (three acts as 起承转合, speed by jumping), Uchida Kenji (beautiful structure, time-axis tricks), Miki Satoshi (small-material notebook, theme emerges later), Sono Sion, Omiya Ellie (dialogue from inner monologue), Kakei Masaya ("if + moreover"), Fukuda Yuichi (character = actor + flaw, audience as tsukkomi), Yokohama Satoko, Takahashi Izumi ("pain"), Yukisada Isao (situation-born originals); plus Arai Haruhiko (IP adaptation, "write what you're ashamed of"). Neighbours; sw-korean-french-screenwriting, ozu-screenplay-style. Use when writing an original Japanese-style script or TV drama, working from small material and fragments, choosing between structure-first and character-first methods, building a Japanese 企画書, designing comedy tsukkomi systems, or when Hollywood models feel wrong for a quiet, daily-life, non-goal-driven story.

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Korean and French screenwriting practice (韩国/法国编剧方法) — from the international masterclass; Oh Seung-uk (Christmas in August, The Shameless; field research in disguise, "write the emotion", first act and last act first, spaces as skeleton, reading to hostile listeners, surviving producers), Choi Seok-hwan (King and the Clown; genre as promise to the audience, "story = deepening crisis + intensifying desire", two reversals and bittersweet endings, the producer/director/writer trio), and Frédéric Auburtin (Paris je t'aime; dialogue last, Italian-style table reads, "12 lines not 13", dignity for characters, originals born from commissions, editing by emotion). Use when working in a Korean-style commercial drama or genre film, a French auteur/commission context, when planning field research, when a producer relationship is the problem, or when you need the Korean "three live together" development model or the French "emotion first, structure second" editing approach.

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Case studies of television series writing (剧集案例库) from primary texts; Sorkin's six West Wing teleplays (act-page tables, eight act-out types); Chase's five Sopranos scripts (the 35-beat A/B/C/D recipe, what a pilot refuses to explain); Fellowes's annotated Downton Abbey season two (19 storylines, 419 footnotes); Waller-Bridge's Fleabag Scriptures (the six-episode half-hour template); Calvisi's eight minute-by-minute pilot beat sheets (Breaking Bad, Mad Men, Game of Thrones and more); Landau's 47-series structure appendix; Miller's Hannibal and HTGAWM breakdowns; Goldberg & Rabkin's beat sheets; Sakamoto Yuji's We Made a Beautiful Bouquet (a feature) and Noh Hee-kyung's The Most Beautiful Goodbye. Use when you want a worked example of how an episode or pilot is built, need real act lengths, scene counts or storyline grids to imitate, are breaking a multi-thread ensemble episode, designing a bottle episode or a finale, writing a relationship or family drama, or ask 某一集是怎么写的 / 这部剧的结构表.

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