「dram」の検索結果

小说改写为格式化剧本的方法论和规范

日本語の概要は準備中です。原文の説明を表示しています。

场景最终提示词规范 — 清晰广角建立镜头：前景/中景/后景/出入口/地面/墙面/主要陈设的固定相对位置，空间连续自洽可复用，无人物

日本語の概要は準備中です。原文の説明を表示しています。

角色、场景和道具提取的规范与方法

日本語の概要は準備中です。原文の説明を表示しています。

给 AI 短剧写剧本：把 novel-outline 的分集梗概落成结构化的场次 + 节拍流（动作节拍与台词行交替）， 台词逐句带说话人与语气，时长逐集按语速确定性折算。产出 script.json + Markdown + 单页评审报告 （时长仪表 / 分集剧本 / 场次总表 / 按角色聚合的台词本，含导出 JSON）。 剧本管戏，分镜管拍——本 skill 不分镜头、无镜号、不写生成提示词，那些是下一层分镜 skill 的活。 10 道质量门全部由脚本确定性检查（每集时长 ±15%、单句 ≤35 字、说话人合法、钩子悬念落纸、 钩子具象前 3 拍内兑现（hookBeat 认领冷开场）、每场至少一个动作节拍、爽点认领、 角色/场景/光照/道具对账上游……）。 有 outline.json 就用 seed 预填每集骨架；给 --art 连光照状态一起对账。 零依赖、零 API key，用当前会话额度。 Use when asked to 写剧本、出剧本、台词、场次、写戏、screenwriting for AI short drama。

日本語の概要は準備中です。原文の説明を表示しています。

给 AI 短剧出分镜：三层结构——段（一次视频生成，≤15 秒）→ 分镜（段内 2–5 秒的剪切，认领剧本节拍） → 分镜图（每切一张关键帧：主分镜图钉 0.00 秒，子分镜图钉各自切点）。 每段自带一条 MiniMax H3 视频提示词（官方口径默认英文、逐镜换行，promptLang 可切中文）：对齐指令和 [Shot k] 切点时刻由分镜结构推导、逐字对账，台词逐字进 <d> 块（写法规范已内化为 references/h3-prompt.md，不依赖外部 skill）。 产出 storyboard.json + Markdown + 单页评审报告（分镜节奏带 / 分集分镜表 / 生成批次单 / 配音对齐单，含导出 JSON）。不出图——交付的是每格的画面提示词和它该挂哪些参考图。 18 道质量门全部由脚本确定性检查（第 18 道 shot-recipe 可选：挂上 shot-recipes 卡库才查，不挂就明说跳过）； export 一键导出 H3 投产包（每段提示词 + 按 Picture 序的分镜图清单）。零依赖、零 API key，用当前会话额度。 Use when asked to 分镜、出分镜、镜头表、切镜、storyboard for AI short drama。

日本語の概要は準備中です。原文の説明を表示しています。

给 AI 短剧出美术设定集（场景 + 叙事道具）：场景的设计意图、一致性锚点、光照时段变体、 空景提示词；道具的戏剧功能、状态变体、尺度参照、白底无手提示词。 产出 art.json + Markdown + 单页评审报告（含导出 JSON）。 为 AI 生成而设计，不是实拍——环境和道具都是生成资产，交付的是让它们跨集长一样的一致性方案； 10 道质量门全部由脚本确定性检查（锚点 3–5、无人无手、白底可抠、尺度短语、提示词英文……）。 有 novel-outline 的 outline.json 就用 seed 预填场景清单与出现集。 零依赖、零 API key、不出图——交付的是提示词，出图在下游。 Use when asked to 场景设定、出场景、环境设定集、场景一致性、scene bibles for AI short drama。

日本語の概要は準備中です。原文の説明を表示しています。

Measure Jetson DRAM/NvMap usage and verify before/after memory reclamation with live audit data.

日本語の概要は準備中です。原文の説明を表示しています。

多角色对话配音：按 cast 和逐行对白为不同角色分配音色与情绪，合成多声线音轨和带角色名字幕。 当用户说“多角色/双人/剧本/对话配音、多人对白、不同角色不同声音、有声剧配音”时使用。 单一公共音色用 tts-voiceover；克隆本人音色用 voice-clone；整部短剧制作由 short-drama 编排。

日本語の概要は準備中です。原文の説明を表示しています。

制作多集 AI 微短剧：建立剧集圣经和角色参考，完成分集剧本、逐镜 I2V、对白审计、配音字幕 BGM 与成片，保持跨镜跨集一致性。 当用户说“AI/横屏/竖屏/微短剧、拍短剧、分集剧本、连续剧情视频、做几集短剧”时使用。 单条非剧情视频用 auto-short-video；只写单条脚本用 video-script；只生成一个视频片段用 ai-video-gen。

日本語の概要は準備中です。原文の説明を表示しています。

一句话主题 → 成品短视频：自动串联 文案→配图/AI视频→配音→字幕→BGM→合成，把 Easel 制作层零件编排成一条'一键出片'流水线。**单条视频、口播/资讯向，画面默认逐句配图 + Ken Burns 缓动，需要动态时才逐段图生视频**。当用户说 一键生成视频、自动做短视频、主题生成视频、帮我做条视频、口播视频一条龙、自动出片、短视频一键生成 时使用。**有剧情/角色/对白/反转/多集的短剧改用 short-drama（每镜强制图生视频、不用静态图冒充）；只写脚本用 video-script；只生成单个片段用 ai-video-gen。**

日本語の概要は準備中です。原文の説明を表示しています。

High-contrast, theatrical design with bold layouts, immersive visuals, and unconventional compositions that command attention.

日本語の概要は準備中です。原文の説明を表示しています。

Create award-winning, immersive web experiences at the level of Awwwards-featured agencies. Use when the user mentions "Awwwards quality", "make my site stunning", "scroll animations", "parallax storytelling", "cinematic web design", "portfolio site", or "brand experience". Also trigger when elevating a standard landing page into a memorable digital experience. Covers dramatic typography, purposeful motion, scroll-based composition, and performance-optimized animation. For foundational UI, see refactoring-ui. For type selection, see web-typography.

日本語の概要は準備中です。原文の説明を表示しています。

Select, pair, and implement typefaces for web projects. Use when the user mentions "font pairing", "which typeface", "line height", "responsive typography", "web font loading", "type hierarchy", "variable fonts", "FOUT/FOIT", "typographic scale", or "the text is hard to read". Also trigger when choosing between system fonts and web fonts, optimizing font-loading performance, or designing readable long-form content. Covers readability evaluation, CSS implementation, and performance optimization. For overall UI design systems, see refactoring-ui. For dramatic typographic experiences, see top-design.

日本語の概要は準備中です。原文の説明を表示しています。

Master SQL query optimization, indexing strategies, and EXPLAIN analysis to dramatically improve database performance and eliminate slow queries. Use when debugging slow queries, designing database schemas, or optimizing application performance.

日本語の概要は準備中です。原文の説明を表示しています。

Playwriting for banqiang-system Chinese opera (板腔体：京剧、豫剧、越剧、秦腔、评剧、沪剧、淮剧、川剧弹戏), where sung passages are paired seven- or ten-character lines varied by metre (板式) rather than filled into fixed tune patterns. Covers genre (唱工戏／做工戏／武戏), the main line, technical structure and 排场, how 行当 and a named star decide the writing, 程式, lyric craft (唱词：上下句、重点句、垛句、辙口), 宾白 and the sung/spoken seam, duets, what the writer marks on the page (Peking-opera vs Yue-opera style), the interface with actors and musicians, restoring old plays, and three contemporary routes including 现代戏. Sources; 范钧宏、翁偶虹、刘吉典、樊尚林、张庚郭汉城、罗怀臻、陆军, plus full scripts (锁麟囊／沙家浜／白蛇传／朝阳沟／潘金莲). Use when writing or revising 唱词, choosing 板式, writing for a performer or role-type, adapting a traditional play, writing a 现代戏, judging a project's genre, marking 锣鼓, or drawing the boundary before general dramaturgy skills apply. Not for 元杂剧/传奇/昆曲, which are the qupai system; see sw-chinese-opera-qupai.

日本語の概要は準備中です。原文の説明を表示しています。

Writing a Succession-style ensemble series (继承之战群像剧写法) — distilled from Jesse Armstrong's complete shooting scripts for all four seasons, 39 episodes (Faber 2023), with his introductions and footnotes, plus Frank Rich's and Lucy Prebble's essays on the writers' room. Covers the invisible-act three-test for scripts with no ACT marks, container episodes built on a ceremony's running order, pressure chambers, one core question per episode, finales with fewer and longer scenes, the absent protagonist at the climax, humiliation passed downward, stage directions carrying subtext and "maybe", reversals turned on one word, writing long, alts, the mega-chart, and engineering an ending once the plot engine loses pressure. Use when the user wants a dynastic family drama, a media-power ensemble, a wedding/funeral/summit set piece, a streaming hour with no act breaks, a finale that redraws alliances, or asks how to "Succession-ize" a script or kill a lead mid-season.

日本語の概要は準備中です。原文の説明を表示しています。

Writing screenplays in the style of Ozu Yasujiro and Noda Kogo (小津安二郎・野田高梧) — distilled from six complete screenplays (晚春 Late Spring, 麦秋 Early Summer, 东京物语 Tokyo Story, 浮草 Floating Weeds, 秋日和 Late Autumn, 秋刀鱼之味 An Autumn Afternoon). Covers the "family member leaves" master plot, off-screen events / on-screen reactions, lie-driven plots, minimal-syllable confessions, go-between characters, faceless suitors, pillow-shot scene breaks, echoing objects, mirror characters, children's subplots as metaphor, displaced quarrels, the single-monologue rule, diminishing endings, Ozu's script format and stage-direction vocabulary. Use when the user wants to write a quiet family drama, a 小津风 / 侘寂 / 日常系 script, a story about marrying off a daughter, aging parents, or wants dialogue that says less and means more.

日本語の概要は準備中です。原文の説明を表示しています。

Case studies of television series writing (剧集案例库) from primary texts; Sorkin's six West Wing teleplays (act-page tables, eight act-out types); Chase's five Sopranos scripts (the 35-beat A/B/C/D recipe, what a pilot refuses to explain); Fellowes's annotated Downton Abbey season two (19 storylines, 419 footnotes); Waller-Bridge's Fleabag Scriptures (the six-episode half-hour template); Calvisi's eight minute-by-minute pilot beat sheets (Breaking Bad, Mad Men, Game of Thrones and more); Landau's 47-series structure appendix; Miller's Hannibal and HTGAWM breakdowns; Goldberg & Rabkin's beat sheets; Sakamoto Yuji's We Made a Beautiful Bouquet (a feature) and Noh Hee-kyung's The Most Beautiful Goodbye. Use when you want a worked example of how an episode or pilot is built, need real act lengths, scene counts or storyline grids to imitate, are breaking a multi-thread ensemble episode, designing a bottle episode or a finale, writing a relationship or family drama, or ask 某一集是怎么写的 / 这部剧的结构表.

日本語の概要は準備中です。原文の説明を表示しています。

Korean and French screenwriting practice (韩国/法国编剧方法) — from the international masterclass; Oh Seung-uk (Christmas in August, The Shameless; field research in disguise, "write the emotion", first act and last act first, spaces as skeleton, reading to hostile listeners, surviving producers), Choi Seok-hwan (King and the Clown; genre as promise to the audience, "story = deepening crisis + intensifying desire", two reversals and bittersweet endings, the producer/director/writer trio), and Frédéric Auburtin (Paris je t'aime; dialogue last, Italian-style table reads, "12 lines not 13", dignity for characters, originals born from commissions, editing by emotion). Use when working in a Korean-style commercial drama or genre film, a French auteur/commission context, when planning field research, when a producer relationship is the problem, or when you need the Korean "three live together" development model or the French "emotion first, structure second" editing approach.

日本語の概要は準備中です。原文の説明を表示しています。

Mainland-Chinese TV-series craft, documents and production chain (国产剧创作体系与制片链) — the China layer parallel to the Japanese and Korean/French skills. Distilled from Yao Kougen 姚扣根《电视剧写作概论》(2016; series taxonomy, four Chinese script formats, the 3-minute/15-minute/episode-end suspense law, 36 situations), Zhang Wei 张巍《电视剧改编教程》(2014; five source types, sell-point migration, six case studies), Zhang Mingzhi & Song Peiyi《电视剧出品人与制片人教程》(2016; running-time rules, two-stage censorship, scene-breakdown sheet, contracts), Zhao Binbin《影视剧片段改编教程》(2016; film to stage fragment), plus official Chinese renderings of US TV terms from the translated Douglas and Blum textbooks. Use when writing or judging a 国产剧, turning a novel or IP into a 30–50 episode drama, writing a 策划书 / 分集梗概 / 人物小传, formatting a Chinese teleplay, sizing episode count and word count, checking content red lines and the 立项/备案/审查 chain, reading a Chinese screenwriter contract, or mapping US series vocabulary onto Chinese usage.

日本語の概要は準備中です。原文の説明を表示しています。

General-purpose X/Twitter research agent. Searches X for real-time perspectives, dev discussions, product feedback, cultural takes, breaking news, and expert opinions. Works like a web research agent but uses X as the source. Use when: (1) user says "x research", "search x for", "search twitter for", "what are people saying about", "what's twitter saying", "check x for", "x search", "/x-research", (2) user is working on something where recent X discourse would provide useful context (new library releases, API changes, product launches, cultural events, industry drama), (3) user wants to find what devs/experts/community thinks about a topic. NOT for: posting tweets or account management. Note: currently uses recent search (last 7 days). Full-archive search is available on the same pay-per-use X API plan but not yet implemented in this skill.

日本語の概要は準備中です。原文の説明を表示しています。

Generate anime-style video prompts for Seedance 2.0 on Higgsfield. Use whenever the user wants anime, Japanese animation style, shonen action, seinen drama, magical girl, mecha, isekai, slice-of-life anime, or any Japanese animation aesthetic. Triggers on: anime, Japanese animation, shonen, seinen, manga style video, anime fight, anime opening, anime ending, sakura, chibi, kawaii, mecha, isekai, or any anime-style request. Use even for "make it look like an anime" or "Japanese cartoon style.

日本語の概要は準備中です。原文の説明を表示しています。

NIST SP 800-53 Rev 5 compliance advisor — all 20 control families (AC, AT, AU, CA, CM, CP, IA, IR, MA, MP, PE, PL, PM, PS, PT, RA, SA, SC, SI, SR), Low/Moderate/High baseline selection, FIPS 199/200 system categorization, control tailoring and overlays, privacy controls (PT family), supply chain risk management (SR family), assessment procedures (SP 800-53A), OSCAL, RMF integration (SP 800-37), and mapping to FedRAMP, FISMA, CMMC 2.0, and ISO 27001. Use for any federal system security controls, FISMA compliance, RMF step guidance, control narrative writing, or baseline tailoring question.

日本語の概要は準備中です。原文の説明を表示しています。

NIST SP 800-53 Rev 5 compliance advisor — all 20 control families (AC, AT, AU, CA, CM, CP, IA, IR, MA, MP, PE, PL, PM, PS, PT, RA, SA, SC, SI, SR), Low/Moderate/High baseline selection, FIPS 199/200 system categorization, control tailoring and overlays, privacy controls (PT family), supply chain risk management (SR family), assessment procedures (SP 800-53A), OSCAL, RMF integration (SP 800-37), and mapping to FedRAMP, FISMA, CMMC 2.0, and ISO 27001. Use for any federal system security controls, FISMA compliance, RMF step guidance, control narrative writing, or baseline tailoring question.

日本語の概要は準備中です。原文の説明を表示しています。